Sabrina Summer Shoot #1

November 16th, 2017

Sabrina Summer Shoot #1

I wanted to try myself on more serious Photography for a long while now and finally mustered up the courage to challenge myself this year. I contacted that lady in the pics up there, told her I’m a total noob and that I would love to try it. I found her on a model page on Facebook. Fortunately she was very open and had no problem working with a beginner. Well, I certainly knew/know how to work with a camera but haven’t tried it in a ‘Photoshoot’ context before. She was able to give me some valuable advice and together we managed to get some neat results! I’m quite happy with how the pics turned out. Is there room for improvement? Sure, there always is. But for a first run we both were happy enough I think. Not just a productive shoot but also one of these pretty much perfect sunny summer days you love to remember and keep in your memories.

Model: Sabrina Kreiner
Equipment used: Canon Eos 5D Mark 2 – Canon 75-300mm – Photoshop – Lightroom



Scifi & Fantasy Calendar 2018

October 25th, 2017

Tigaer-Design Calendar 2018

Alrighty. Here we go again. As some of you might have noticed, I took a break last year. I took the time to create some new stuff that you will, of course, find a selection of in this new calendar. I couldn’t resist and put some oldie goldies in there as well though. Some of my all-time favs and perhaps new all-time favs. =) Hope you enjoy the selection, which may help you make yourself (or a loved one) a cool neat christmas present. =)

Find it here:



Blade Runner 2049 – Movie Review

October 21st, 2017

movie reviewIn 1982 we got Blade Runner, an audience and critical flop at the time, directed by Ridley Scott and starring Harrison Ford in the lead. Much like the 1982 John Carpenter film ‘The Thing’, this film was a big flop back in the day. Now both are widely accepted as classics. Maybe the themes and ideas did go over peoples heads or they couldn’t see Harrison Ford play a (kinda) bad guy. Or the open ending (now you would say cliffhanger) was unsatifying. Over the years this film turned into a cult classic and petty much from the get go started to influence all scifi properties that came after 1982. So there were at least some people who understood what a milestone this film was. The first thing that catched on was the dystopian look of it. Later the ideas and themes were better understood and appreciated. Now Blade Runner is (in my eyes at least) an essential film you should have seen and talked about at least once in your life. It’s an important film, exploring the nature of humanity and where it may be headed. Now, all these years later, we get a sequel: Blade Runner 2049. When I first heard they plan a sequel, I was as skeptical as one can be. Then I learned they hired Denis Villeneuve to direct it and that decision immediately spawned a big bucket of hope. He’s one of my favourite directors working today and I enjoyed his recent films a lot! Ridley Scott took the Producer chair and ultimately still had some saying in the making of this film. We also got Hampton Fancher, one of the original writers of the back! So, a potentially very good combination. So how did this collaboration turn out? Is it a worthy sequel to one of the most influential films of all time? Let’s have a look at it without any spoilers.

Blade Runner 2049 starts in broad daylight. Which, right from the get go, tells the audience that this film will be different and things have changed in the past 35 years since when the first movie took place. From what we see the environment is barren, dusty and lifeless. Kind of what you would expect the environment would look like outside one of the megacities. We meet K (Ryan Gosling). K is part of a Blade Runner unit. The unit is still active and hunting down rogue replicants. K finds one of these replicants and visits him. Sapper Morton (Dave Bautista) runs a farm outside the city and leads a secluded life, away from everyone and pretty much everything. When K shows up, Sapper is not surprised. He waited for that moment… god knows how long. The scene plays out very quiet and builds up tension that leads into a fight between the two. K manages to win the upper hand and ‘retires’ Morton. Uppon investigating the farm, he finds suspicios things and decides to follow their lead. Blade Runner are police detectives and we see him doing his job more than once throughout the film. So yeah, the film is kind of a ‘police work’ story. Which makes this film more a scifi noir detective story. We learn the clues along with K and try to make sense of it through him. Something that creates a nice connection between the character and the audience. The clues send K and us down a rabbit hole of discoveries and twists that will come (almost) full circle in the end of the film. A fantastic ending that is almost as powerful as the one in the first film. For the rest, please go see the film! It’s worth it!

The acting we get here is also very good. Ryan Gosling tackles his character with a rather subdued performance. So when his character gets emotional, there is a certain impact behind it. Especially since his character goes through all kinds of emotional things thoughout the film. Harrison Ford, at the end of the film, delivers probably one of his best performances in recent years. I loved to see him really put some effort into his character of an older Rick Deckard. The only one who may be a little too much ‘over the top’ would be Jared Leto’s character of Niander Wallace. He kind of replaces Eldon Tyrell. Don’t get me wrong, I like Jared Leto’s character in this film but the scenes with him are probably some of the scenes I would have trimmed down a little. Another standout performance is given by Ana de Armas who plays Joi. She is not one of the main characters but even her character has growth and depth in this film. They managed to squeeze so many things into this film. Even the small nuances have weight. It’s wonderful.

Let’s talk about world building. Something the original movie did perfect. We not only got that scifi story but also a glimpse into how people live in that world and deal with it. Not much has changed since the original film. The world just got a little more bleak, dark and grey. Less wet and more dusty. The only colour we get is artificial, much like almost everything in that world. Everything feels cold and even the dirty areas we see feel kind of sterile at the same time. Which is a fascinating mixture to me. When there is colour on the screen, it’s as if your eyes soak it up like a sponge. And this feeling works perfectly for the world we live in within this film. However, I wanted to see a little more of the world. Nonetheless we do get some really fantastic shots. Aside from these amazingly filmed vista shots we also get very intimate and personal stuff of course. The camera work by Roger Deakins is perfect and captures these moments very nicely. We learn a lot about how this world operates now and how hard it is to survive in it. The original themes of isolation, identity, compassion (to name a few) are all there and tackled throughout the film. The film captures the themes of the original, expands on them and gives the audience a solution to most of the questions we were left off with at the end of the original film. There still are some ambiguous parts but why not? Leave us with something to speculate about. Much like the original film. This film however manages it to give us a very satisfying ending despite the open questions that may still be there. To get this done in a fashion like that is quite masterful and I admire it a lot. It’s clear that there was not much studio interference here and the writers and filmmakers had free reign. Which gave us a sequel worthy of the original. Which is something I’m very grateful for.

With a 160 minute runtime it is indeed a very long movie. I personally could have easily trimmed it by at least 10 minutes. So, this extensive runtime (for me) is probably the only downside of this film. Some shots just linger on too long for no apparent reason. The movie is slow and action sequences sparse. It’s more a character study or… world study. It’s not a ‘bam boom bang’ scifi opera. It’s personal, introvert and almost thinking about itself and the questions it asks. These questions are not just about us and the human condition in general. It’s also about technology and how we deal with it. With the ever growing population on this planet it’s almost paradox that people don’t really come together more but move away from each other (at least emotionally and mentally). Living with technologies that want to bring us closer but end up distancing us from each other. You can see this already today. At least when you’re not staring at your cellphone display all the time and start to observe the world around you a bit.

Of course this film touches on the ‘playing god’ theme of the original as well. We love to create things but a lot of times end up dismissing our creation as failed and look down on it. End up with a Blade Runner unit that hunts down our failed creations, so we are not constantly confronted by our mistakes. And by doing that… ending up making our failure even more obvious. I can observe that on myself when looking at artwork of mine. Most of the time I’m quite happy with the results but I can also see the cracks that (at least to me) sometimes borderline on ruining the work for me. We can never be entirely happy with something we create it seems. At least when it comes to our artificial creations. Yet, we are still looking for perfection. For thousands of years now. I guess that’s part of what makes us human as well. We cannot stop. We always have to go further and if it means our end… then may it be so. Another thing is that we cannot be alone. Yes, some of us can cope better with isolation than others, but in general we desperately need company in some way or another. Could that notion be transferred onto our creations as well? Is this notion of wanting to share our experience with someone (or something) else be something universal? Not just limited to us as human beings but also in our creations? The movie tackles these questions and questions our way of compassion.

Vangelis is one major reason why the original movie works so amazingly well. His score matched the images in a way that is very hard to describe, in a way that is/feels almost out of this world. It’s magical. So of course it would be an amazingly difficult task to re-imagine that music for a follow up film. After listening to both soundtracks in the past two days I must say that Vangelis still is the far superior one. What Johan Johannson, Hans Zimmer and Benjamin Wallfisch managed to do for Blade Runner 2049 is remarkeable nonetheless. Their score manages it to be a continuation of the original movie’s score and also match this new world we are confronted with in 2049. With the influences in the Vangelis soundtrack being quite diverse, the music in 2049 is harder and more claustrophobic in many ways. It perfectly mirrors the dense, thick and atmospheric feel of the world. All that without losing that fine connection to the music from the original. It’s not copying the Vangelis music though. But it’s not violently trying to be its own thing too. It merges with the music of the 1982 original. And if you know the original movie in and out you can hear the musical cues from the original score every now and then. It’s used sparsly and with great respect. So all around the trio did a great job creating a musical soundscape for the world of Blade Runner 2049.

Keeping all these things in mind it’s quite an accomplishment and I’m thankful we have this film now. There could have gone so many things wrong. They even pull off the magic trick to make every single one of the different cuts of the original work in line with this new one. Fantastic writing and direction. What else can there be said? Watch the old and this new one back to back and you will have an all around satisfying experience. Along with a very satisfying ending that kind of manages to close the circle of the original storyline but still leaves some things open. Does ‘leaving things open’ mean ‘sequel bait’? Absolutely not. It’s just room that’s been left empty so you have something to talk and think about.

I’m very happy this film exists. It gives me hope. Not just for when it comes to movies but also for mankind a little bit. At least a portion of humanity is not going blindly into the future.


Blade Runner 2049 on IMDb

New Los Angeles 3019

October 16th, 2017

New Los Angeles 3019

Looking through my artwork collection you might have guessed that I am a Blade Runner fan. Like pretty much everyone working in my field, it’s almost a given. A very influential film on so many levels. I started this project over a year ago and just wanted to have some fun with it. Exploring some composition ideas. The ‘just for fun’ aspect comes also into play with where I decided to set the world in. 1000 years after the original Blade Runner on a different planet with a city kind of (but not really) similar to what we know from the film. Naturally I took me some liberties with the design and look but hope to have captured that dystopian feel at least.

Plate created and laid out in Vue. I started out with a much smaller scale for the project but decided to go for a bigger render when I found that the scene has some potential. Also originally didn’t have the bridges between the towers. When playing around I kind of liked the idea and kept them in. Rendered with multipass for best flexibility in the Photoshop post work stage. There I overpainted quite some elements, added lights and detail to make the city feel alive. Last but not least I used Lightroom to push the atmosphere and feel a little more.

6000px wide, Vue, C4D, Photoshop, Lightroom

wallpapers available

The artwork on:



It – Movie Review

October 5th, 2017

movie reviewI haven’t seen the 1990 TV Mini Series of IT for quite some time now but remember liking it. Watching it when I was younger definitely scared me. Even if they had to tone down the scary parts since it was made for TV. Especially the first part with the kids, I found nicely done. Audiences since then grew desensitized I think and therefor a new interpretation of Stephen King’s novel had to be more shocking and more scary. Did they succeed? Well, to a degree they did.

Instead of setting it in the 60s (like in the book) they updated it to the late 1980 (1989 if I remember right). Moving it there makes absolute sense and enables the second part of the story to play in 2017. If you haven’t seen the TV Mini Series or read the book, the story is pretty simple. A group of kids is forced to battle an shapeshifting entity in a small town. The preferred form of the entity is a clown so it is able to lure kids into a trap more easily. It seems that the creature feeds on fear for the most part. Every 27 years or so it comes out of the shadows and haunts that small town. Kids disappear left and right and no one seems to wonder about it. Our ‘Losers Club’ of kids wants to end it and find out what happened to newly missed kids. Among these missing kids is the younger brother of Bill Denbrough (Jaeden Lieberher). Along with his friends Richie (Finn Wolfhard), Eddie (Jack Dylan Grazer), Stanley (Wyatt Oleff), Ben (Jeremy Ray Taylor), Beverly (Sophia Lillis) and Mike (Chosen Jacobs) he wants to find his brother and find out what is going on in the town. All of them get a scary visit by IT/Pennywise (Bill Skarsgard), which makes them bond even tighter. In the end they all decide to muster up the courage to fight IT.

The film is trying to balance the more scary horror elements with the experience the kids have in the late 1980s. The film manages it to create a nice atmosphere and paints a nice picture of the time. We see how that group of friends comes together through their experiences with Pennywise. All of them have to go through some nightmarish things and they soon understand that there is more going on than just missing children. All of the kids are very good but the standout for me is Beverly played by Sophia Lillis. She did a fantastic job of portraying her character as (in my eyes) the toughest and, at the same time, most vulnerable character of the group. If I were part of that group I would have probably fallen in love with her. All of the kids get their moment to shine and they all use it. Some good direction by Andy Muschietti. All of them had my sympathy and I wanted the group of kids to succeed and beat Pennywise.

Talking about Pennywise! The iconic portrayal of Pennywise by Tim Curry in the 1990 Mini Series was outstanding. Even if he only had a couple of scenes throughout the 3h runtime… he managed to leave a strong impression. Bill Skarsgard had to fill these expectations. The direction, art design and presentation of Pennywise in this new film definitely helped to bring him close to Tim Curry’s performance. I would say they both are equally good. And both are slightly different takes on the character. All of the scenes with Pennywise worked and delivered some creepy moments. My favourite is a scene where our group of kids check out some dia pictures to learn more about the past of the town. Suddenly hell breaks loose.

The creepy and scare scenes are the ones a film like this is measured by and the film certainly delivers. In the beginning we see how Bill’s brother gets captured by Pennywise and immediately know that it’s a film for adults. It sets the right mood and what’s at stake right from the get go. Loved that decision! Throughout the film I admit I had some goosebumps here and there (which only very rarely happens!). But I cannot figure out why. I wasn’t exactly scared by these particular scenes. In the beginning I noticed that they installed a new Dolby Atmos soundsystem into the theater. Maybe it was indeed the sound design that made me react that way. The sound in this film was mixed very good and certainly added to the thick atmosphere in it. Although I must say that I would have wished for some more quiet sequences. Pretty much all horror scenes are accompanied by loud sound effects. Almost a little too much. Last but not least I must say that the film tried to avoid jumpscare moments. They are there but not used to a degree where it becomes annoying.

Almost a little too much was the rollercoaster ride between the friendship moments of the kids and the horror sequences. The film switched back and forth. It had to do that for the story to make sense and I understand that. All the kids individually needed a scene where they confront their fears. At the end of the film I was on the verge of being a little exhausted by it though. Both the friendship and horror sequences do work nicely. Although I must say that I enjoyed the friendship moments and interaction between the kids (when they’re not part of a horror sequence) a little more. They do have a great chemistry and it shows on screen.

So, will this film become a classic? I really am not sure. It certainly is an above average horror movie and I hope it will find a good audience. It actually did already, being one of the most successful movies this year. Now the task of the filmmakers is to find good personnel for the second chapter of the story, when we see the ‘Losers Club’ as adults. I hope they manage to keep the atmosphere and tone. And with the success of this film they should be able to get a neat cast too. Fingers crossed! However, tonally the second film has to be very different. It’s about adults and the (now so) hip nostalgia beats wouldn’t work and make the film cheap. So they have some work to do to make the two films work as a whole. If they succeed with the second film it could indeed elevate this first film into a ‘modern classic’ status.

It is a nice movie for the big screen. Go see it if you have the chance! Not sure if there is a 3d version but 2d is absolutely fine and enough for this one.

A 7.7/10 for me.

It on IMDb

Let’s Take The Boat Out

October 3rd, 2017

Comcept 23 – Let’s Take The Boat Out

I started this one quite a while ago. Early 2015 I think. I kept it laying around not really sure what to do with it. AURORA – a collaborational effort of both artgroups The Luminarium & The Cosmosys Collective to do a crossover exhibit, made me go back to it and add some final touches. I’m glad it got accepted into the exhibit and sits along some fantastic work by artists from around the world.

I don’t even remember anymore what exactly sparked the inspiration for this one. Well, it’s part of my Comcept series, so it wasn’t supposed to be a super refined piece and more something quick. No matter my intentions it (of course) turned out more detailed than planned though. I guess my love for exploring futuristic cities surely plays into it. Composition wise this piece is all over the place. Surely not perfect but somehow it doesn’t work too bad. At least in my eyes. =) The clear and obvious focus is the ship that blocks the sun, in the middle of the scene. I’m a little proud of the design of that little guy. The background shows a very industrial style city with a port facility built into the gigantic wall on the right. That one giant ship back there is in the process of docking. Huge holographic guides lead the ship into position to complete the procedure. And that was part of the original inspiration if I recall correctly. Really enjoy how that part turned out.

The scene itself is based on some rougher concepts I did earlier. 3 scenes showing places on a planet called Linestra. So here we have, a more detailed, fourth scene. Also on Linestra.

Technically it’s business as usual. The scene was composed and rendered in Vue. Various additional modelling happened in C4D. Beside own models I used some material from DAZ. Photoshop was used to bring multiple render passes together and add visual effects, overpaint and fix elements of the scene. Lightroom was used to push colours and atmosphere.

5000px wide, Vue, C4D, Photoshop

wallpapers available

The artwork on:



Aurora – Exhibit I

September 30th, 2017

Project Aurora - Exhibit I

The Luminarium & The Cosmosys Collective invite you to a trip for your imagination and inspiration! Members of the two artgroups sat down and decided to do a crossover Exhibit. Represented is art created with all kinds of techniques in all kinds of fields. A healthy variety… how I would call it. I’m included with three pieces that I hope don’t drag down the quality too much! =D Thanks to everyone involved and especially the people who did the organisational stuff in the background!

Go check it out and share it!

Project Aurora Project Aurora Website
The Exhibit on Behance


Endeavours – Welcome Home

August 28th, 2017

Endeavours – Welcome Home

“Finally! I see them waiting for me! Can this shuttle go faster please?”

Of this second part of my Endeavours series I may like this one the most. It’s probably also the one I invested the most time into. I played around with a couple of ideas and elements within the pic. I wanted it to be moody and needed the lighting to be right. Something ‘golden hour’ like. I added a ton of lightsources to get a satisfying feel for the overall scene. Hence the render times went up a bit once it came to redering the final plate. It also marks some sort of a turning point in the little story. We’re finally where our protagonist wanted to go and we meet his little family. This pic was also the one that gave the initial idea spark for the Towers on this planet. And yeah, I didn’t necessarily do the images in order. A lot of jumping back and forth between them kept the creative juices flowing and also produced some neat last minute ideas.

As usual I used Vue to set up the scene. The characters were done with DAZ3d. The house I created from scratch in C4d. The renders didn’t come out ultra clean so I did go in an fix quite some stuff in Photoshop. There I also enhanced the lighting and atmosphere. I ended up using some photo plates and painting here and there to add/suggest additional detail in the landscape. Final mood tuning happened in Lightroom.

6000×2739 – Vue – C4D – Photoshop – Lightroom









The artwork on:

wallpapers available



War for the Planet of the Apes – Movie Review

August 23rd, 2017

movie reviewThis new Planet Of The Apes series is a phenomenon to me. With a movie landscape going, almost entirely, for heavy and loud vfx spectacles, it is refreshing to see a film that is quiet and almost introvert. A film using vfx only for storytelling and asking questions about what makes us human. And still the series managed to create a fanbase and have some solid success at the box office. Hats off to you Hollywood, you can still do it.

The film starts with a group of soldiers preparing an attack on an ape village. A battle breaks loose and after early successes the battle turns and the soldiers have to retreat. But the losses on both sides are high. We meet Cesar again, the leader of the ape colony and a well known character from the past movies. We immediately notice that he got older and a little more grumpy it seems. He is very unsatisfied about the situation and together with his leaders he plans to move his folks to another, more peaceful, place. Under heavy losses the apes manage to push back the attack of the humans. Unfortunately there are traitors in their ranks and a later suprise attack by the humans takes an unbearable toll on Cesar. He sends his people away and goes for a revenge mission. Soon we find out that his people were captured by the humans Cesar was looking for. Now Cesar has to find a way to free them. And that too takes a high toll on him while he fights demons of the past. He soon learns that co-existence between apes and humans seems to be impossible.

The second film (at least I feel so) did have more action sequences in it. This third film is rather quiet and delivers a rollercoaster ride on more of an emotional level. That goes for both sides, the apes and the humans. Of course our sympathies clearly lean towards the apes. Especially in the moments of loss and when they’re caged in. There still is room for understanding the human perspective though. And the film does a nice job of showing it. On the human side it’s mainly fear and hubris. And that can be nicely observed in the leader of the humans, played by Woody Harrelson. Beside a little girl, he is pretty much the only human we have real contact to. He represents the whole human aspect, their emotions, motivations, fears and he does well in that part. Everything else is more or less focussed on the apes and how they deal with the circumstances.

With that focus on the apes it’s again remarkable how good these creatures look. Now they’re really seamlessly integrated into the live action footage. Most of the time I couldn’t tell at all when they used a puppet and when not. This of course works for the immersive quality of the movie. You soon forget to think that they’re vfx. The emotional range these apes show can be heartbreaking. What Andy Serkis, Steve Zahn and the other actors along with the vfx team did with Cesar and the other apes should be considered for a ton of awards. But not only Cesar is amazing to watch. He’s got a group of friends with him when he embarks on his trip to the human base. All of them are fantastic, have an own character and almost try to out-act each other in certain scenes.

On a technical level I must say that there is not much to complain. I enjoyed the camera work and even the music (even though not really too memorable) has an own character and style. I also liked the editing very much. The film has a good sense of when to keep a shot going and when to cut. Especially in the more emotional scenes. Maybe the pacing could have been a little better organized. I don’t think this film needed to be 140min long. It is a tiny bit too slow here and there.

As a long time fan of the original series I spotted a lot of obvious and not so obvious references in this film. That was nice to see and gave the whole film an extra layer (at least for the die hard fans). I don’t think they will try to connect the old series to the new series (and it would be wrong to do so if you ask me) but I enjoyed these little references.

Is it a theater must see? Probably not. Except you want to marvel at the vfx quality and some really beautiful shots. If you’ve seen the first two films, definitely check it out when it’s on bluray. It’s a fantastic continuation of the story. Great characters, well written and smoothly directed by Matt Reeves.

Even though entirely unnecessary, the 3d felt pretty good in case of this film. Less exhausting in a quieter film and more room for the effect to unfold.

A 7.5/10 for me.

War for the Planet of the Apes on IMDb Interview – Visualizing Space & SciFi

August 21st, 2017

80lv Interview

A couple of days ago I’ve had the wonderful opportunity of getting interviewed by and talk about what I do, my Endeavours series and how I create what I create. I got some really nice questions that allowed me to cut a little deeper than usual, along with some pics that explain what I’m talking about. Surely an interesting read for everyone interested in CGI, Concept & Digital Art. Check it out!

Find the interview/article here: Visualizing Space and Science Fiction

And definitely don’t miss the other articles on that site! Some really interesting digital art related topics covered there.


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