Logan – Movie Review

March 16th, 2017

movie reviewSo, there is this X-Men franchise that started in 2000 and has like 10 movies or so now? 17 years! It took them 17 years to do a movie that makes a clear point on why mutants in the X-Men universe are so hated in all the other films. While they present enough reasons in previous films, it always felt way too over the top to be taken serious. Now this movie though, feels grounded enough to really bring that point across.

Logan (Hugh Jackman) is the third movie in the, what now can be called, ‘Wolverine Trilogy’. The movie makes quite the jump and plays out its story in a not too distant future. Logan got old, the X-Men don’t exist anymore and mutants in general are in hiding. Instead of being a new step in the evolution of mankind, mutants are pretty much extinct and outlawed. Logan trying to get by with doing a limousine service to collect some money. That money he needs to take care of Professor X (Patrick Stewart) who is in hiding with another friendly mutant. While thinking that there are no more mutants born, Professor X makes telekinetic contact with Laura (Dafne Keen). Laura is a mexican kid on the run from a mysterious company hunting her. Logan, as reluctant as ever, doesn’t have much interest in being the hero and helping Laura. Company goons discover their hideout. Logan, Professor X and Laura have to flee and try to resolve the situation. Laura has coordinates that point to a location that is supposed to be a safe haven for young mutants. While Professor X is willing to give it a shot, Logan isn’t so sure about it. So much for a rather sparse summary of the plot without giving too much away.

This movie takes some risks (as well as some social commentary here and there) and I’m so glad it did! After Deadpool’s success I guess studios woke up and decided to do comic movies for adults now. And man, it feels so good! X-Men in 2000 started the whole comic movie trend. It’s so good to see an adult, more violent and realistic approach to the material. Especially with the Wolverine character. He was always rooted in anger, violence and more an anti-hero. It’s good to see that anger really play out in Logan’s violent outbursts and the aftermath of it. It’s good to see the movie not playing it safe and instead going into its gritty feel right from the start. After the first five minutes we know that this really is a film that shows the brutality that can be ‘Wolverine’. Suddenly you understand that blood adds weight to certain decisions our characters make. All the violence helps to give everything gravity. Even though it’s rather violent it certainly is not a splatter movie. The movie uses violence in well timed doses and doesn’t overplay it. At least for my sensibilities. It’s a serious movie for grown ups! Finally!

Overall I would say it’s a quiet movie. Some parts are even pretty much a roadmovie. Most parts actually. The action scenes are well timed and well placed throughout the film. They are not mind numbingly long like in so many other movies of its kind. A pleasant and welcome surprise in that case. It’s also not a CGI overload and feels very natural and grounded. The future they envision there isn’t over the top and drawn rather realistically. No flying cars or anything. you could almost call it dystopian. It’s not really hopeful, that’s for sure. It kind of reflects our times.

Hugh Jackman started this part in 2000 and played this character since then. It’s safe to say that his interpretation of the character helped comic book movies become what they are now. We can’t thank him enough for that! Logan is probably his final role in this character and I’m so glad they gave him this fantastic material to work with. It seems like it’s the first time we really get to see the pain and struggle this character goes through. All hope gone and his worst fears have come true. Fears and doubts he has since the first movie where he has questioned everything and most importantly Professor X, his plans and his school. Logan is a broken man. He was right from the get go. And knowing that and not being able to have changed that… slowly kills him. The year just started but… Hugh Jackman should get nominated for this performance. It’s fantastic.

Having young actors in your film is always tricky. You need someone with charisma and a slight understanding what the character needs. Dafne Keen, who plays Laura, is a perfect mixture. She’s adorable and charismatic at the same time. She has a great look and you immediately know when shit is about to get real by just looking into her eyes. There is this one scene where she comes out of Professor X’s hideout, with a platoon of bad guys waiting outside… almost shaking in fear, while she calmly walks out of the building. It’s a great, tense and powerful moment. She doesn’t have a lot of text during the film and does a lot with her body language and face. Hats off, she did really well!

Is there some bad stuff in the film? Well, I’m constantly thinking “It’s a little long!” but I also immediately think that it needs that time to tell the story right and give every character the needed room. The movie is also well shot and the action parts look very competent. Even though I must say that there’s rarely a shot that made me go ‘wow’. Marco Beltrami did the music for the film but there is hardly any tune I would’ve been able to remember after making the first step out of the theater. But that goes for pretty much every movie nowadays. Almost no memorable music in these films anymore. That really frustrates me to a degree. It all sounds the same. Especially in comic movies. Then we have the theme of ‘family’ that goes sort of kind of through the franchise. It’s still there but not to the degree we have in the other films. It’s a very depressing story and hope is very sparse. It may not be the movie we would need right now (in terms of inspiration)… but it’s nonetheless a nice reflection of our times and mirrors our society really well. The audience should take a closer look and decide for itself how to make the world better instead of letting it decay to the degree we see in the film. It’s not easy, even for people with superpowers… but it’s possible.

So overall I really liked the toned down presentation of the film. When you’re a kid you want the big stuff, large action and themes. The older I become the more I want the more intimate or personal themes. The big stuff becomes more and more numbing. It’s good to see they are still able to do films that are well balanced and maybe even more character studies instead of big action spectacles. Quiet moments have weight and action sequences pay off. That combination works well for the film itself but also the box-office. It was well received and made good money, which gives me hope.

When the film ends it feels like a big and sad goodbye. That very last shot though… heartbreaking and cool at the same time.


Logan on IMDb

The Invitation Pt.1

January 12th, 2017

The Invitation Pt.1

The first one for 2017 is an experiment from early last year and something quite different from my usual stuff. Normally I focus on the environments and add characters to make these environments feel alive. So they are usually just an addon. With this one I wanted to focus on a character instead of the environment. Without making the environment too boring though. I must also admit that I did not sculpt the lady by hand. I used DAZStudio for it. So I definitely admire people who can do that stuff from scratch. However, I did not use a DAZ pose or character preset! There went a lot of work into posing and the proportions of that lady. Tons of testrenders for lighting setup and material checking. A lot of detail work that went into this lady. I wanted this to by sexy, treating the pic like a fine art nude photo shoot of sorts. Everything as tasteful as possible, without it to appear too ‘revealing’. Hope I got that part right.

Technically the figure and its pose was done in DAZ Studio and then exported for use in Vue. There I did some heavy material tweaking and tried to get the light right. The render happened in 9000×6000 and even if it is a quite simple scene, there went some extra time into the Photoshop process. Mainly to fix things and to overpaint small areas. I also rendered multiple passes of the scene and even worked with an HDR pass. The latter helped to get the skin tones right. In the last stage of creating this one, Lightroom helped me to get the colour I had in mind right.

This pic is the first one in a three part series. And, probably the best one. But that is a definite taste thing. :D

9000×6000 – Vue – DAZ Studio – Photoshop – Lightroom

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Architecture Feature

December 29th, 2016

Archithese Issue 4/2016 Feature

Two of my works were used to visualize articles about futuristic/scifi architecture. Issue 4/2016 of the swiss architecture magazine Archithese is all about futuristic architecture and its influences. From Here I Can Almost See The Stars is featured on a two page spread in the magazine and Gates To Elysium in an introductory article about the magazine issue. Since I’m no architect, I find it quite interesting that my stuff could possibly be an inspiration, for people working in the field of architecture. So having my work feature in a magazine like this is really special for me.

The word magazine is almost an understatement for this publication. It’s almost a book and feels really good in your hands. It has a nice weight, which gives it a nice feel of quality. As mentioned before, this issue of the magazine tackles Science Fiction and how it has influenced architecture in real life and media. Movies like Blade Runner as well as Star Wars are discussed. As a scifi fan, working in art, it is quite an interesting read.

Archithese Website & Article


Star Wars: Rogue One – Movie Review

December 22nd, 2016

movie reviewFor the next couple of years, this time of the year will be Star Wars time. Rogue One is the first, of a series of films, that explore the Star Wars universe that exists outside the family saga that we know so far. The goal is to expand the universe and show more variety in locations and characters. In this first spin-off movie we finally learn how the plans, that lead to the destruction of the Deathstar in Episode 4, get into the hands of the Rebels. A mild spoiler warning for this review.

The film starts without the usual text scroll, which immediately sets a different feel right from the beginning. We see a planet and what seems to be an imperial transporter, landing close to some kind of farm. We meet Imperial Director Orson Krennic (Ben Mendelsohn) and Galen Erso (Mads Mikkelsen). We learn that Galen once worked on a secret project of the Empire and that Krennic wants him back. Of course things spiral out of control when Krennic confronts Galen. Galen’s wife gets killed and his young daughter Jyn manages to hide. Saw Gerrera (Forest Whitaker), a friend of Galen, picks her up. We don’t get to see anything about the relationship between Saw Gerrera and Jyn. How it develops and what difficulties they faced in the years to come. Next thing we know is that Jyn is in her early 20s. She winds up in the hands of the Rebels due to the investigation work of Cassian Andor (Diego Luna). He’s with the Rebels for a long time and when we see him in action for the first time, there is no doubt that the means of the Rebel Alliance aren’t the pure good either. Whatever it takes! They know they have to use questionable tactics to be able to compete with the Empire. The Rebels know that Jyn’s father is a key player in building a new super weapon for the Empire. So they recruit her to find him. Their first step is to visit a planet called Jedha where an independent source claims to have captured Bodhi Rook (Riz Ahmed), an Imperial freighter pilot, that carries critical infos about that super weapon and Galen Erso’s involvement. On Jedha they find Saw Gerrera who captured the pilot. Saw Gerrera once was a key player in the Rebellion but somehow departed and went his own ways. Not much backstory there as well. Before Jyn and Cassian find Saw Gerrera they meet two folks in Jedha City, the blind Cirrut Imwe (Donnie Yen) and Baze Malbus (Wen Jiang), who both decide to join the cause. We learn that Jedha City is unter control of the Empire for a while now. Our two new heroes once protected the Jedi temple on that planet and since the Empire arrived there, are pretty much out of work. Together they wind up in Saw Gerrera’s hands and the fact that Jyn has a connection to Saw opens opportunities. Unfortunately the Death Star arrives at Jedha and the Imperial Command decides to do a weapon test before these opportunities can be used by our heroes. Apocalyptic destruction is happening while our team of questionable heroes manages to escape. The former Imperial pilot provides them with a location of Jyn’s father and the hunt for the ultimate truth begins.

This movie has had a ton of reshoots. So many, that lots of material we got to see in the Trailers, where not even in the finished film. I don’t think that was planned. There was talk that Disney wasn’t too happy with the dark material they saw in an earlier cut of the film. So they decided to add more uplifting and alternative material to the film. They fact that there were production problems was kind of noticable in the film. At least to me. Most of the sprinkled in humour fell flat and felt awkwardly timed. In the first 40 minutes of the film we visit tons of locations and meet even more characters. The film is jumping from location to location and back and forth. It’s very irritating. It slows down once we’re on Jedha. But up to that point the editing feels very odd, jumpy and not really organic. However, it is commendable how they ended the film.

Characters moments are what I really missed in this film. And by that I don’t mean action scenes involving a character. I mean stuff that tells us more about the character’s past and how they became who they are. For me to make them work I need more. We get a nice 2 minute (or so) moment from Caspian that worked rather good. But for our main hero Jyn… there is nothing. It felt like there was more material with her and Saw Gerrera. It’s not there. So there is no emotional response when she meets Saw and confronts him about their past. Felicity Jones does a good job in that scene but it’s completely wasted because we have no foundation for her emotions. In the same scene she learns that her father is still alive. And again… yes we saw how the Empire took away her father and killed her mother. But that’s all. Jyn and Saw tell us that the times were difficult but we’re watching a film here. Show it! So again, this nice emotional scene, when Jyn sees her father’s hologram… it just didn’t work and triggered no emotional response from me. But it should! I should feel something for her. But all I got was a mechanic reaction like “oh look at that, she learned her father is alive!”. Maybe… and just maybe… better writing would have kept it a secret from the audience too. Don’t tell us in the first scene of the film what’s exactly happening to him. Let the audience find out along with Jyn. Maybe… then there would have been a stronger reaction from me. It’s stuff like this that is driving me nuts in this film. I’m no screenwriter at all but damn… it can’t be so hard, right? Maybe it is.

I did not expect to see Grand Moff Tarkin in this film. His stand-in is the British actor Guy Henry. He has similar body proportions like Peter Cushing, who played Tarkin in 1977. For Rogue One they created a CGI face of Peter Cushing. This looked amazing! I sat there and couldn’t believe how good that looked. I watched and read some reviews that pointed out that CGI Tarkin did not work for them at all. And it is really weird. While I wouldn’t say it’s flawlessly done, it definitely is very very good. And the same can be said about the rest of the VFX work in this film. There is not a single scene that looked off and everything CGI integrated very well. The (again too long) battle scene in the end had some fantastic moments as well. And the CGI work definitely helped the movie and franchise to expand the universe we know from Star Wars so far. We get to see a number of different planets and locations. A ton of alien creatures (that were fantastic practical effects most of the time). Visually this film is a total eye catcher. No doubt or complaints about that.

Fan service. It’s always an issue with big popular franchises. People complained about it when The Force Awakens came out. Surprise surprise… no one seems to complain now. And it’s amped to 11 in this film. I won’t spoil it but we meet two bad guys on the streets of Jedha City for a glimpse moment. That’s when it was too much for me. I have no problem if they bring back characters if they’re vital to the story. But some of the stuff they included was pure fan service and felt out of place. In the final space battle they even included unused footage from A New Hope. Really? I’m not saying it wouldn’t make sense. When I saw these images I was taken out of the movie within split seconds and was shaking my head. It felt cheap and totally unnecessary. It was the complete opposite end of what they did with Darth Vader.

Darth Vader was great in this movie! Mainly because he was not used to such a gratuitous amount like these fanservice moments. Vader had a great presence and it felt fantastic seeing this iconic villain in action again, without being a reference to a joke. He kicked some ass and I can say I enjoyed every second with him. Even though I had doubts when I first saw him on screen. They did right with the character. And that is because he, to a degree, was vital to the story of the film. That worked really well.

I can see this film becoming a love/hate thing for me. It’s full of flaws, forgettable characters and draggy action sequences. Its strength is the fact that we finally get so see a world that is not included into the main series of movies. The job the ‘expanded universe’ books had in the past, will now be taken over by films. I have no problem with that in all honesty. For the future I just wish they take more care of the characters they include in the films. Otherwise it really makes no sense casting strong actors like Whitaker, Mikkelsen or Felicity Jones. Actors like these are capable. Give them depth!


Star Wars: Rogue One on IMDb

A New Threat

December 20th, 2016

A New Threat

“Many Bothans died to bring us this information”.

If you grew up with the original trilogy then this sentence may have spawned a whole movie on its own in your head. =D

Well, I guess you can call this piece ‘Fanart’. To celebrate Rogue One I wanted to try myself on something that has its roots in one of the biggest franchises ever created. Instead of going the obvious route and create something that fits the new movie, I wanted to create a fictional scene you could imagine maybe happening between Episode 5 and 6. Two rebel agents spying out the still under construction Shield Generator that protects the second Death Star.

I started this scene quite some time ago and figured it would be worth the wait and release it when Rogue One is out. After having it at a ‘pretty much done’ stage for a while, I even went back and fixed quite a few elements and invested some extra time to make it look more passable in certain areas. Mainly tree stuffs. As always there are parts I’m not entirely happy with but overall I think it works.

The scene was created with a variety of tools. Mainly Vue to arrange and compose the scene. Sculptris was used to create a ground foundation. The Plant Factory was used for the trees. Thanks to Aron Kamolz for some tips there. Photoshop was used to overpaint, fix and add details. Last but not least I used Lightroom to find the right mood for the colours.

Vue – Sculptris – Worldmachine – The Plant Factory – Photoshop – Lightroom – 6571×3000

The Star Destroyer, Speedbikes and Shield Generator models are from Scifi3d.com.

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Arrival – Movie Review

December 10th, 2016

movie reviewSmart Scifi is quite a rare thing nowadays. In times where Visual FX can do pretty much anything a creative mind can come up with, we tend to get movies that blow things out of proportion with gratuitous and bombastic thunderstorms of action setpieces. In the past years we have had a ton of movies that left us pretty much numb due to the bombardment of visual noise on screen. So it is remarkable to get a quiet film with seamlessly integrated VFX. VFX that are just there to complement the story and not the other way around. Plus… one of the smartest movies we have gotten in a very long time. It’s a type of movie I always wanted to see and waited a long time for it.

Arrival tells the story of expert linguist Louise Banks (Amy Adams). When one morning Mankind discovers that we are not alone in the universe anymore. 12 mysterious ships appear. These ships are positioned around the globe, in places that do not seem to have a connection. Louise meets Colonel Weber (Forest Whitaker) who is recruiting her for a very special job. He wants her to find a way to communicate with the beings in one of the ships, positioned in Montana. Along with theoretical physicist Ian Donnelly (Jeremy Renner) she is tasked to find out why the Aliens are there and what they want. In the meanwhile we get glimpses of how the world reacts. In the time we watch Louise and Ian trying to talk to the Alien beings, we see and learn how differently other nations try to establish communication. A month of research goes by and tension all over the world is rising. Our team makes little breakthroughs and suddenly gets an answer to their question of what the Aliens want. Another team is also getting an answer to that question and it freaks people out. Louise and Ian try their best to explain that the answers they got could be interpreted a lot of different ways. Throughout the experience we see Louise having personal visions, dreams or memories. Of course we immediately think about flashbacks. But there is something else going on with these visions or dreams.

The movie is successfully playing with so many different ideas and concepts about time, space, communication. It’s hard to talk about it without entering spoiler territory. Let’s just say the film offers some nice twists and that said twists even work on multiple levels. But it’s not the kind of movie that ends and leaves you completely wondering what just happened. At least it wasn’t that way for me. I saw multiple clear hints throughout the film that made complete sense at the end of the film.

The story is told from the very personal perspective of Louise. We don’t get to see too much stuff from anywhere else than her immediate surroundings. So it is not a movie that goes for Independence Day kind of eye candy and different locations from all over the world. And that is what works in favour of this film. We keep things in one place and the audience wants to solve the mysteries along with the characters on screen. The film is also shot very personal and intimate. We get a lot of close ups that completely focus on reactions of the characters. I was constantly asking myself how I would react in the situations we face along with the characters in the film. We still get a lot of gorgeous wide open camera shots. The scene when we arrive on location and the camera captures the scene with the Alien ship, right then and there when Louise is seeing it the first time. It’s so well timed and gave me goosebumps. Same thing when they enter the ship for the first time. A lot of credit goes to the musical score in these moments as well. It’s the best original score I’ve heard in a movie in a very long time. A lot of films completely sound the same nowadays. Not this one. It got its own character in pretty much everything. And most importantly… it’s memorable.

Now let’s talk about the Elephant in the room. After I saw the film, I immediately drew similarities to Christopher Nolan’s Interstellar. And this general consensus that Nolan is the “thinking man’s Blockbuster director”. Don’t get me wrong, I like Nolan’s films just fine. However! Both films are hardcore Scifi. Interstellar is also a very scientific movie much like Arrival is. In their central core both films are about love and time. When Interstellar was released I heard some folks say stuff like “this film will be remembered!”. I was honestly shaking my head when I heard that. While Interstellar certainly is no bad movie, I felt the love component was so hamfisted and cheesy that it really hurted the overall experience and message. This, on the other hand, is where Arrival shines. Every plot element is so well integrated whithout ever going into cheesy, tearjerking territory. And yes, there surely are emotional scenes in Arrival. Their execution and relationship with what’s going on in the film (storywise and scientifically) is much more sound though. So it all made sense in the end! Something I can’t say about Interstellar. Another thing I can’t say about Interstellar but will do about Arrival is… Arrival will be remembered! It’s a film that asks important questions and manages to give answers to these questions! Answers are another thing I missed getting from Interstellar.

When picking out negative things it is not easy to find some. That, of course, depends on your taste in movies and how you watch them. But there are a couple of things I wished would have gotten a little more attention. While the scientific part does have its place in the film, I wished they would have given it a little more breathing room. It would have been fascinating to see a little more of the process, Louise and Ian have to go through, finding and establishing a way of communication with the Aliens. The audience doesn’t have to wait very long before getting a look at the Aliens (or at least how they generally look like). Maybe it would have been a little more exciting to hide them a tiny bit longer. The Alien design is not amazingly spectacular either. Which, from my perspective is fine. For the job the Aliens have to do, they look completely okay. And that’s all the negative stuff (if you can call it that) I can find about the film.

In the end the title ‘Arrival’ has a number of meanings. Which you will discover when you watch the film close enough. There are many ways you can watch this film. Either as a straight forward first contact film or a very well written character study or a parable about the times we live in… the movie lets the audience decide and is not forcing the audience into a certain direction. That’s quite remarkable and I am very excited to see what the director Denis Villeneuve will do in the future. His next stop… Blade Runner 2049.

A 9/10 for me.

Arrival on IMDb

Doctor Strange – Movie Review

December 8th, 2016

movie reviewI guess there is no such thing as ‘Superhero Movie Fatigue’? Or Marvel just managed to get the formula down. It is quite impressive how they do it. I think for two years now I’m hearing people moaning about all the comic book movies and how it is just too much. And still, whenever a new Marvel or DC comic movie is released… people go see them and the films keep making tons of money. I’m part of the problem. Well, I haven’t seen all of them on the big screen. But most of them. And one thing can be said… most of these films are good.

After Ant-Man we again have one of the lesser known superheroes to get his debut. Doctor Strange is about Stephen Strange (Benedict Cumberbatch), an egomaniac, narcissistic neurosurgeon who lives a pretty high society life in New York City. One evening, on the way to a party, he gets into a car accident. He gets out pretty bruised but the worst thing is the fact that his hands are crippled. After multiple operations his hands are at least kind of working again. But getting back into his profession is pretty much a no go. Of course he’s devastated by that and goes into a rage mode that does not really help keeping friendships alive. By accident he learns about a guy who mysteriously managed to overcome being paraplegic. He looks for him and after a brief talk he learns where the guy found the power to fix himself. Stephen embarks on a trip to Kathmandu, Nepal to learn specifics on how he may be able to heal his hands with the same power that helped the other man he saw earlier. In Nepal Stephen finds the Kamar-Taj. Within that temple he meets the Ancien One (Tilda Swinton). He learns techniques that open doors to other dimensions and allow even things like the manipulation of time itself. The visuals we get to see there are really good and definitely worth the additional price for 3d. While all this stuff is happening we also see how Kaecilius (Mads Mikkelsen) is trying to destory three Sanctums that hold up a mystical shield, that covers the Earth and protects it from bad stuff from other dimensions. Kaecilius wants to break that shield and enable an almighty being called Dormammu to enter our dimension in exchange for immortality. Soon Stephen is in the middle of trying to stop Kaecilius. Even if that means to use powers that not all of the warriors, who fight along him, approve.

So much for a kind of sort of plot summary. The movie is paced really well and never feels boring. It’s just under two hours long, which is greatly appreciated. However! It is missing some parts when Stephen is in the temple and learning about all the mystical powers. We just get told he read like 20 books. We are not told how much time he actually spends in that temple. When he’s back in New York it seems like it wasn’t more than two weeks since he went away. The film needed one or two scenes that showed time passing. It would also help to kind of visualize his character transformation. He does not completely lose his arrogance but he learns to take a step back and evaluate things when necessary.

The movie also falls into typical Marvel movie traps. We, once again, don’t have a really strong villain. The villain (Mads Mikkelsen) in this movie sort of kind of just appears right at the start of the film and doesn’t come with too much of a backstory. Mads Mikkelsen nonetheless tries to get the most out of the character. But even an actor of his caliber can’t overplay the fact that it’s just another stand-in character for ‘bad guy’. Considering that these movies are rather long in general I wonder why stuff like Stephen’s time in the temple feels so short. They could have easily added another 5 minutes that show Stephen’s process of changing in character a little better.

If you have seen the trailer then you know that this movie visually is quite a stunner. It’s a rare case where the visuals really make the movie without hurting it. The abstract, kaleidoscopic looking cityscapes, constantly changing look and appearance, are amazing to watch. We got a glimpse of that in Christopher Nolan’s ‘Inception’ movie. Dr. Strange turn up these effects to 11. You almost miss the action sequences themselves while watching the visual stuff that going on around them. It’s on the brink of visual overkill but it also works. Keeping the balance surely wasn’t easy and I have to applaud the skill that went into directing the VFX action sequences. Because of that the film is a rare case that works really well in 3d.

Despite its flaws I was amazed how fast the film was over. Like I said earlier, the film is very well paced and time flies. Benedict Cumberbatch manages it to fit flawlessly into the Marvel Cinematic Universe and it’s hinted that he definitely has a place side by side along the characters we already know.

PS: Did anyone else notice some similarities to the Star Trek (the reboot) musical score? I mean, it’s the same composer.


Doctor Strange on IMDb

Spotlight – Movie Review

November 20th, 2016

movie reviewIn a time where journalism is reduced to sending out a keyword through the Google machine, it is refreshing to see how true and real journalism is done. And yes, I was tempted to use the term ‘was done’. It’s not completely dead yet. Thank god.

Spotlight is made in the vain of classics like “All The President’s Men” and focusses on a team of journalists that works a special department for the Boston Globe newspaper. The so-called ‘Spotlight’ column. They feature very specific and hard hitting topics that often reveal how crooked the world actually is. Right away we meet our main players Walter Robinson (Michael Keaton), Mike Rezendes (Mark Ruffalo), Sacha Pfeiffer (Rachel McAdams) and Matt Carrol (Brian d’Arcy James). They build the team that works on the Spotlight articles. It’s 2001, just before 9/11, and the team is looking for new topics. The newspaper is getting a new editor, Marty Baron (Liev Schreiber), that stumbles upon an article saying that church ‘higher ups’ knew about an earlier child molestation case and did nothing to stop it. His instincts make him go to the spotlight team and asks them to snoop around a bit. At first the team looks at it a little sceptical but soon understand that there is more to discover. While working the case they uncover tons of people with personal stories about being molested in their past. The deeper they dig the more heartbreaking the truth becomes for everyone involved.

For someone like me it can be a little hard to relate to the material. I’m not a church person. Never was and probably never will be. That doesn’t mean that I don’t respect people who ‘believe’. It’s just that I chose to ‘believe’ my own stuff. To understand this film you have to set yourself into the heads of these people. Boston (or the US in general) is a very church dominated area. In some parts, to say something against church, is a sacrilege. It’s an institution that is defended no matter what. We get that impression in the film numerous times. The movie raises the question why people so viciously defend the church. It doesn’t give a real answer. From what I gathered it’s fear. But from what? The journalists we follow grew up in that environment and become more and more disillusioned with every detail they uncover. These are moments where the choice of actors really shines. Their eyes constantly say “how can all this be true?”. They have to face a hard truth and they accept it. Because there are hard facts covered by the material they uncover. By accepting that sad truth they decide to dig deeper and uncover everything possible. Even if it means to hold the story back until they got everything backed up, verified and ready. Journalism!

On a technical level the movie presents itself rather sober/matter-of-fact. There are no fancy animations or cg work. Its style is almost that of a documentary. From what is in the film the script is really tight. There is no moment where you think “come on… move along already!”. Everything flows well and the storytelling works. Every character also gets their a fair share of screen time and it’s used very well by all of them. We get lots of moments that show how hard actual journalism is and how much dedication it requires. But we also get our quiet moments where the characters contemplate about what they uncovered and how it affects them. Then there are moments where they interview victims. These are heartbreaking and frustrating at the same time. And by frustrating I mean that stuff like this actually happens. Scenes like these create an emotional response and that is one of the goals a movie like this should have. This movie even scores these goals. It works very well in these scenes. It makes you question why ‘Religion’ actually exists and why so many people believe in it when so many others use it to fuck up the people who trust them.

If there is a negative thing to say about it then it may be the rather ‘sober’ presentation. It is very down to earth and non-sensational. It’s very quiet. I guess the one thing I wanted was to have that one moment where the movie gets a little louder. A little more ‘in your face’. The movie talks about these horrible things and maintains that low matter-of-fact voice. Maybe that was a stylistic choice. I wanted to scream all the time. “How?!” or “Why?” or “Why is the church tolerating this!?”. The movie asks these questions but doesn’t necessarily answer them. Maybe there is no real answer. Though… I expected something like an answer. At least a hint.

I think it’s a good and important film, that came probably 10 years too late. Will it be a movie I’ll watch a couple of times? Surely not. But it’s a film you should see at one point or another.


Spotlight on IMDb

3D Total Features

November 17th, 2016

3dtotal.com Features

After a long time trying to get one of my works into the 3D Total Galleries, this year I finally managed to sneak in there. It’s not easy to get your work included there and I want to take this post just to say how cool it is to have finally made it. To have your work side by side with the work of so many other talented folks is a great motivation to keep pushing your boundaries. Now recently I managed to get a third piece of mine selected for inclusion into their gallery and that kind of proves to me that the stuff I create does work. Of course it’s always a taste thing but still, even if you are not the biggest fan of the subject matter a picture or work/project presents, you can still recognize the skill and artistry that went into crafting a project. However, having a three of my works in their gallery is a cool thing!

Return to Chronos Keep: here

Beasts shall rise: here

From here I can almost see the Stars: here

And an article where I wrote a little about the process behind “From here I can see…”.

Find the article here: Making of a Sci-Fi cityscape



November 13th, 2016


This time we have a collaboration piece between me and Alastair Temple. He’s a fellow artist from the Luminarium artgroup and mostly into Photography. Every now and then he’s going Scifi or Abstract. Here he combined his abstract technique with some neat scifi and asked me to add some additional magic as well. It mainly the space station. I also added some additional detail to the alien structures and worked on the composition a bit. In the end we both created individual versions of the scene.

I had my fun with this one and the weirdly shaped looking structures add a nice sense of mystery to the whole thing. What specifically these are you ask? I have no clue. I leave that to your imagination. :)

Mandelbulb – Vue – Photoshop – Lightroom – 4000×2000

Find Alastair’s version and a little background info on Behance
Find his Website here: http://www.alastairtemple.co.uk/

The artwork on:

wallpapers available