Rupert Fiction Book Covers

Wednesday, January 6th, 2016

Rupert Pollard’s Assassin’s Series

Mid 2014 I got contacted by Rupert and asked to do a cover for his Assassin’s Cradle book. The cover itself has a pretty simple setup and I some fun working on it. Mid 2015 then I got the chance to do the cover for the follow up book Assassin’s Escape. We decided to keep the look of the first cover but did go a more complex route with what is to see there. We ended up with a rather cool pic that has elements that surely leave some impression.

Both pics are mixed media and created with Cinema 4d, Vue and Photoshop.

The books can be found on Amazon.

Rupert Pollard Website
Rupert Pollard on Facebook

Cover #2 On:
DeviantartArtstationDrawcrowdCGSociety

Regards

signed

Organica

Thursday, December 17th, 2015



Organica

This one started as an experiment. Like many other pics I do for some reason. I wanted to dig a little deeper into a tool called The Plant Factory (TPF). A software created by the guys who also run Vue. After finishing this pic I wouldn’t say I’m an expert in TPF… but I learned something for sure. To a point where it already helps with other projects. However… I used TPF to make roots grow all over the scene. To make it look as if nature decided to overwhelm this place to a certain degree. So ultimately this project was perfect for the then current ‘Organics’ topic of the Luminarium artgroup. It could be seen as a companion pic to my ‘Terraformer’ piece. Maybe it’s even the same planet!!!??? =)

The scene base was created with C4D and Vue. A lot of importing/exporting with The Plant Factory and tons of overpainting and fixing with Photoshop. The last part more than usual. Therefor I decided to play with a more stylized look and made it appear a little more painting like. A lot of time went into refining small elements to make it all look consistent.

Is this experiment a success? I’m undecided. While it sure does show something I had in mind for this scene, there are a couple of technical things I would do different today. Of course I would… because now I know the stuff I leaned from creating this picture. :D

6571×3000 – Vue – The Plant Factory – Sculptris – Photoshop

Plate
Scene Setup
Print Detail

This pic is part of The Luminarium’s 27th Exhibit. The topic was ‘Organics’. Amazing work by some great digital artists in there.
Check it out here!

The artwork on:
DeviantartArtstationDrawcrowdCGSociety

wallpapers available

Regards

signed

Terraformer

Thursday, November 19th, 2015



Terraformer

What we see here is, what I imagine, an ancient kind of terraforming device. Left on this planet by some ancient civilization. In the back we can see some giant ruins and leftovers of what once may have been a city. Something must have gone wrong and the planet never fully terraformed. Now the big stucture on the left is still working to a certain degree. But it’s not powerful enough. So only the surrounding areas managed to build some sort of ecosystem that over time grew onto the terraforming structure. Imagine that thing to be like 1.5km tall. So it’s huge and massive. And what are these ships doing there? Maybe they’re doing some science work and measurements of the surrounding areas. It could even be seen as a continuation of my earlier ‘Fallen Sanctuary‘ project – where they explore the ruins we see in the background of this scene.

A more exciting scenario could be that this massive terraforming structure has a meltdown. =D And the ships shit their pants and try to get away. Sounds pretty cool too. =D

This piece gave me some headaches. I was playing around with lots of things even though I wanted this pic to have a more reduced look. Without overloading it with detail. Well, that didn’t entirely work. Even if it looks rather open, there still is quite some detail in the overall scene. More than I originally planned. In the end it may benefit the overall scene. It’s not a perfect piece but it has some neat ideas I think.

Technically it’s Vue that has been used to create the overall scene. The terraforming structure is a model by Nora Nirvaluce that I previously used in a different way in the earlier mentioned collab project. The tree/root like things growing on it were done with The Plant Factory. It has a neat feature where it lets you grow stuff on objects. Needed to learn how that works and this project helped. The feature was also used to give the rocks a unique touch with some strange roots all over them. The rocks were created with Sculptris. The fog/cloud bank was rendered in Vue and took (as expected) ages to finish. I needed the cloud plate for a consistent look though. After rendering it all… Photoshop helped to bring in the final touches, fixes and overpaints that were necessary to create the scene I had in mind.

6571×3000 – Vue – The Plant Factory – Sculptris – Photoshop

Alternative Colour Version
Plate
Plate
Print Detail

This pic is part of The Luminarium’s 27th Exhibit. The topic was ‘Organics’. Some amazing work by some great digital artists in there. Check it out HERE.

The artwork on:
DeviantartArtstationDrawcrowdCGSociety

wallpapers available

Regards

signed

Red Sands

Wednesday, September 30th, 2015



Red Sands

This picture started as a project for a movie. They had some scenes on Mars and approached me if I would be interested in trying myself on it. I did some concept work and was playing around with a Marsbase kind of idea. I sent them my ideas and they promised to come back to me on how to go on with it. Well, that was 1 1/2 years ago. Nothing happened. Not a single word. So I decided to not write off the extensive work time I already spent on the project and finished it myself as a personal project. The guys I wrote with obviously had no interest anymore. I finished it up right in time for the Mars hype that’s going on right now! =D Flowing water on Mars. That’s amazing news and opens up great opportunities.

Technically I started this one with Worldmachine and trying to create a landscape that sorta kinda could serve as a Mars landscape. I’m sure it’s not 100% realistic (if at all…) but I managed to get some nice variation into the terrain that works well enough for the eye. I combined various terrains with Photoshop and imported them into Vue. Adding the base was a difficult task. I had to work the terrain quite a bit to make it fit the parts where I wanted to place the structures. I’m not entirely happy with how it turned out… but it’s good enough for me to work. Sometimes you have to make a cut and stop working on something. To make it even more unrealistic I played with the idea of some local terraforming around the base.

Overall it’s one of my more realistic ‘looking’ pieces. At least when it comes to the visual feel and photographic presentation. Hope you enjoy the view and who knows… maybe the pic is at least a tiny glimpse at how our future on Mars could look like.

6000×2740 – C4D – Vue – Photoshop

Print Detail

The artwork on:
DeviantartArtstationDrawcrowdCGSociety

wallpapers available

Regards

signed

Quest For Eternity

Wednesday, August 12th, 2015



Quest For Eternity

This pic was an experiment. I started it August 2014 and saw it as a prequel to my, earlier in 2014 released, ‘The Eternals’ artwork (hence the rather cryptic title for this one). In said picture you can see rather prominently a ship zipping by. I really liked the look of the ship, so I thought “wouldn’t it be funny to see where it came from?”. And that matched with the experiment I had in mind. I wanted to try and work in 16bit colour depth. It was also a test to see how my machine would be able to handle the load. It did well… but saving a larger Photoshop file in 16bit… literally takes ages. Naturally I wanted to have a quite striking image in terms of colours. So the colour depth would make sense. And I hope I got something neat for the eye with that.

If you ask me what this place is then I honestly don’t have an answer. I was fiddling with C4D when I stumbled upon this spikey shape. It instantly made me want to play with it in Vue. After some trying this and trying that I had a scene. Everything fell into place. In the end it was something like a docking or landing area for ships. The spikey things… well, let’s say it’s some ‘modern’ architecture thing. It adds a nice abstract component to the scene. =D

Usually my work is loaded with detail. That doesn’t always work. So ultimately I wanted to do a very clean cut pic for once. Something that’s simple and yet eyecatching.

6000×2739 – C4D – Vue – Photoshop

The artwork on:
DeviantartArtstationDrawcrowdCGSociety

wallpapers available

Regards

signed

Domes Of Hope

Tuesday, August 4th, 2015



Domes Of Hope

Here we have another collaboration piece. My second in a short period of time. After not doing collabs for a very very long time. Now I do enjoy the outcome of these projects and may do more in the future.

This time I had the pleasure to work with GTGraphics’s very own Tobias Roetsch. He’s also a pretty well known Scifi and Fantasy artist that enjoys some vast and grandiose environment vistas. He explained me his idea and I started to do work in Vue to created a serviceable plate. That includes the landscape and the design of the domes. While working in Vue we both talked about how to bring in a good composition. Then I rendered the material in several passes and combined it in Photoshop. After adding some detail, fx and textures I sent the Photoshop file over to Tobias.

Tobias did his magic with adding the city, additional landscape details and a very neat sunset atmosphere. Then it was my turn again with adding some more little details like the ships and some fine tuning. After that… we pretty much had it. I tried to play a little more with the overall colours but always ended up throwing my adjustments away. The atmosphere Tobias created works pretty much perfect.

Vue, Worldmachine, C4D, Photoshop – 6500px wide

Please check out more of Tobias’s work here:

GTGraphics.de
Artstation
Deviantart
Facebook

wallpapers available

Regards

signed

Galactic Civilizations 3 Artwork – Pt 2

Thursday, July 16th, 2015

Here we have the second batch of additional three pictures I created for Galactic Civilizations 3. These were made for some sort of a Tech-tree screen where you can choose special skills for your civilization. Said screen is divided into three key aspects (benevolent, malevolent, pragmatic) that represent a certain set of skills to choose from.

Skillscreen – ‘Benevolent’

This first image is used for the ‘Benevolent’ screen. It’s a light and bright setup to represent a more friendly approach with good intentions.

Galactic Civilizations 3 - Skillscreen 1

For 1920×1080 Wallpaper Click Here

Skillscreen – ‘Malevolent’

This second image is used for the ‘Malevolent’ screen. It’s a dark, aggressive and very industrial influenced approach.

Galactic Civilizations 3 - Skillscreen 2

For 1920×1080 Wallpaper Click Here

Skillscreen – ‘Pragmetic’

Here we needed something that felt different from the other two looks. So we took the approach of the ‘golden middle way’ and tried to incorporate a slight golden color scheme into it. It ultimately turned out better than I expected.

Galactic Civilizations 3 - Skillscreen 3

For 1920×1080 Wallpaper Click Here

These projects were done with Vue and Photoshop. As usual a combination of multiple renders, manipulations and overpainting.

Regards

signed

Fallen Sanctuary

Thursday, July 2nd, 2015



Fallen Sanctuary

The best description for this one would be just two words: happy accident. I had a nice conversation with a fellow artist about 3d stuff, modeling and sculpting. We came to our current projects and I saw a screenshot of a model she worked on for an exercise. She had no further use for it and I asked if she could send me the model so I could play a little with it. I immediately had some fun with that model playing in Vue, which made clear that we got something nice there. So then we decided to do a collaboration piece.

I’m not a big collab artist since I have a very specific set of tools I work with. And combining that with the workflow of a fellow artist can get messy fast. Nonetheless we agreed to try it. I was able to find a good composition and a working scene very fast. It even surprised me how fast I had something that really worked. We decided to keep that and I started render out my usual load of plate material for Photoshop.

I started and combined the different plates, began with adding effects and details. Then I sent it over to my friend and she added her creative magic. She sent it back to me and I did finalizing touches. The result works really well and we’re both pretty happy how it turned out. What does it show? Well, not sure. But it could be some giant ancient mysterious alien ruins of sorts.

Vue, Worldmachine, ZBrush, Photoshop, 3500px wide

Find my colleague here…
Nora Nirvaluce on Behance
Nora Nirvaluce on Artstation

3d model fun render #1 // 3d model fun render #2

Quick Concept

Plate

wallpapers available

Regards

signed

Hunting Season

Tuesday, June 9th, 2015



Hunting Season

This scene doesn’t have a big backstory. I imagine it shows a military training exercise for fighter pilots on a desolate moon surface. A cat and mouse game between groups of fighters. Red vs Blue. Something like it. But ultimately I leave the interpretation the viewer. =)

This one is created for The Luminarium Art Collective for an exhibit release with the topic ‘depth’. Check it out HERE – While I admit that there are far more interesting interpretations of the topic than what I did for it, I still enjoy my work. I used the topic to play with a couple of things. First of all a slight depth of field effect. Secondly… planets! I always wanted to try myself on a picture that (even if unrealistic) has a lot of planets or moons in it. In this picture I wanted to use them to create the depth the topic demanded. And I think it works good enough to give a nice impression of a vast space and distance in general.

Created with Vue, C4D and Photoshop. For the terrain I used a worldmachine terrain that worked really nice when I played around with it. Often enough pictures come together while playing with some elements in 3d. Suddenly it clicks and you have a starting point. If you’re lucky then everything starts to fall into place as if it’s magic.

Vue, Worldmachine, C4D, Photoshop, 6000px wide

Plate

Print Detail

wallpapers available

Regards

signed

Memories Of Ascalon

Thursday, March 5th, 2015



Memories Of Ascalon

I don’t exactly remember when I started working on this one but I was big into playing Guild Wars 2 at the time. Hence the title and the inspiration for this one. Great game and exceptionally detailed world.

When I started this a long time ago (almost 2 years ago), I haven’t had done any big Fantasy projects in a while and focussed entirely on Scifi. So it was about time to expand a little and try something different. The outcome looks fine I guess. Played with terrains and a colourful daytime atmosphere. I’m actually very tempted to rework the colours to be a little more reduced but that’s the mood I’m in these days. Back then I found them to be right and therefor I will keep them.

Technically it’s business as usual. Vue to create a plate and Photoshop to refine, composite, overpaint and fix things.

Vue – Worldmachine – Photoshop – 6000×2553

Plate 1

Plate 2

Plate 3

wallpapers available

Regards

signed