TIGAER-DESIGN.COM_.v5 – Digital Art by Christian Hecker

ENDEAVOURS PART ONE

As a part of the Luminarium Artgroup I had the chance to try myself on an idea that was floating through my mind for a while now. To tell a story with pictures. Now the idea itself is old and absolutely nothing new of course. But I hadn’t done something like this before. The Luminarium topic was ‘Sequential‘. Now that could be interpreted any way you want. I chose a somewhat comic like approach. What I wanted to do right from the beginning was to show how spaceships depart from a planet surface into space. I did not know how to visualize that exactly. Soon I found that, of course, some sort of cityscape thing would be the best way to depart from. Soon enough I also had a nice little story in mind. About a guy who worked in that city. Never saw the sunlight and any joy living there and just wants to get away from there. He decides to begin a new life in the off world colonies. (You get the Blade Runner ref there? Very good! ;))

Technically it’s all done using Vue and Photoshop. In Photoshop I used several filters to achieve a certain comic like flavour. Not sure if that succeeded though. The end result was very satisfying and again I learned a few things while working on the different images.

By the end of the making process I realized that the tour from the surface into space could only be the first part of the adventure. The story needs a better finish and that’s why I decided to add a ‘Part One’ to the title. Now I cannot say when I will create the second half of the series. We’ll see when it’s done I guess. For now I’m happy with the results of part one. And maybe it’s a good thing to leave the actual destination of our two ships to the imagination of the viewers. At least for a while! =)

‘Excitement’

“Do you get that feeling too? That feeling of excitement when you know the next day will be great because you’ll be off into the holidays with the family or something? Now this is not much different. To finally leave this place, start over somewhere else and see your loved ones again. This is the first step of my endeavour and I’m so excited!”

‘Here We Go Again’

“There is surely one thing I will definitely not miss. Working in this heavy industrial environment was a pain. All day long in the shadows of these superstructure towers. Knowing there’s a warm sun… but never seeing it. I hope the colonies will offer a more peaceful working environment. It’ll be hard there too. No doubt. But it will be better! Not just because I won’t feel alone anymore.”

‘Wave Goodbye’

“That’s the dream. At least when you’re looking for it here. Living in the higher levels of these skytowers. I never was so high up but I saw pictures of the most amazing sunsets you can imagine. My dreams lie beyond these towers and this planet. Can’t wait to get there. Can’t wait to see my own sunsets.”

‘Leaving The Fields Of Steel’

“Looking down into this mess of a city it looks almost peaceful. A symbol of how far mankind came the last 500 years. All the magic we are able to do now and take for granted. All these amazing achievements. But we’re sill looking for the things we’ve always been looking for. Peace, family, hope, new goals and a better life.”

‘All These Worlds Are Yours’

“I travelled into space maybe three or four times and the sight is still the most amazing thing I’ve ever seen. It must be the saddest thing to work up here. Seeing this grand view but not being able to appreciate it anymore. That’ll never happen to me!”

‘Begin A New Life’

“Oh, I almost forgot that funny prickling feeling when a ship enters the space dock and shifts gravity fields. That must be how true excitement really feels! Can’t wait to get through transition and board the ship to the colonies. I hope so much this endeavour will lead me somewhere good. For me it is quite a risk. I’m sure it will! Someone is waiting there for me.”

Regards

WIDE AWAKE

This one must be two years old now. Every now and then i worked on it and i may continue doing things on it. Who knows. I got some nice photo plates from a buddy who visited vietnam a while ago. There were a few shots that i instantly wanted to do something with. Much like this one i did for a workshop in a magazine. Check here for the before/after example.

Now where could that be? I don’t know. I see a colony/farm planet here with plenty of green and fertile areas. I personally like the result. The distance and scale comes across nicely. Technically it’s all Photoshop without any 3d (Vue) elements. Now i hope you enjoy the sight as much as i do!

6942×3356 – 300dpi – Photoshop

The artwork on:
Deviantart – Artstation – Drawcrowd – CGSociety

Regards

HOME HAVEN

This one originally was a concept art commission that didn’t exactly hit the taste of the client. I maintained the rougher look but still tried to polish it up a little more for my own gallery here. It was definitely something new to try and a typical ‘learning’ project. Target was it to create a place where some sort of sea nomads find a haven. The city itself is kinda modular and able to split up to move elsewhere. I personally am not the biggest fan of the pic but i still somehow like how it turned out. No question a worthy submission for my page anyway. Hope you guys like it!

Regards

STRANGE NEWS

Project name for this one was ‘assimilated’ until i found a title i had to use for this one. Now imagine mankind will make it some day… and meet other lifeforms (in peace!). How would a technological mix would visually break down the look of a city, that shares human as well as alien technology in its architecture? Of course this is all speculative and imaginary. The title i used is actually a 16min song that followed me through the making of this picture. “…And you will know us by the trail of dead” – Album: Tao Of The Dead. Awesome piece of music. My recommendation.

Now this one is a perfect example of a painter who has no idea what he’s doing. He’s letting guide himself from what the pic tells him. Excited like a little kid playing hide and seek. Well i basically just sat down and played with brushes and Photoshop. This time i used a plate i shot a few years ago in Berlin. I always knew this material could be useful someday. Now i finally found use for it. I’m pretty surprised what came off of it. Since pretty much nothing of the actual plate is left. Looking back at what i did so far, this pic surely has a unique approach and feel to it.

I think i got a little inspired by the style of concept guys like Sparth or Syd Mead. Everything Photoshop this time. No Vue or 3d elements in here. Well… not exactly. I created some brushes off of some of my scifi Vue buildings. That worked not bad here. The basic pic was done after 2 or 3 days. A lot of time went into (pretty much unnecessary) fine tuning. I had the time and used it to polish certain areas a little more than others. Just for fun.

I personally would say it’s one of my best pics. Really enjoyed making it. Hope you enjoy the view too!

Photoshop – 5000px wide – 1 week

Print Detail (Large File)

Progress/Plate (Large File)

Wallpapers: 1920×1200 – 1680×1050

Regards

CRITICAL MASS

Thousand years ago we only dreamed of the magic we are able to do today. Today we dream of things that may be absolutely business as usual in another thousand years. Drawing energy from nothing… other dimensions maybe? We should only hope that things don’t excalate in all the greed for energy nowadays. If there is one constant in the universe then the fact that energy will always be needed to do amazing things. That could definitely sling back at us and break our necks. As we’ve all seen in recent events.

‘Energy’ was the topic for The Luminarium’s newest art collection release which can be found here – some really cool works among them. Especially the music that comes with the pack. I got invited to the group and thought i’d give it a try. Some very talented folks there. Be sure to check it out!

The making of the pic was pretty much business as usual. I struggled a bit with the structures and the final result may not be the best solution. However, i wanted to show some kind of a futuristic energy generator. Right from the beginning i knew i had to visualize the energy effect by using Apophysis fractals. This was fun. I also used the metablob function in Vue to create that weird mass thingie. A lot of post work in Photoshop again.

Vue – Photoshop – 4500 wide

Hope you enjoy the wallpapers!

Wallpapers: 1920×1200 – 1680×1050 – 1280×800 – 1080p – 720p

Regards

STRANDED

For quite some time now i recognized that i don’t have lots of action pics in my portfolio. By that i mean pics where is really something happening in. Usually it’s quiet vistas and sceneries. Now i managed to do a pic with some action in it and i think it’s not too bad.

The landscape Vue render i used for this pic is actually a couple of months old. A result of my canyon experiments where ‘Red Canyon‘ originated from too. I found it looked interesting right away. It just had something missing and i invested some serious thinking into what it could be. The conclusion was that the landscape alone wasn’t exactly too fascinating to reach my current standards for a project. So i left it alone a while.

A few days ago i picked it up again, trying a few new ideas. Early on i had the idea to put a person on that one cliff there. To suggest the greatness of the actual landscape. Even if that adds a lot, it wasn’t too satisfying. Then i played around with painting and added that ship. Early on it started to look right somehow and i kept on doing it. A crash landed ship, in flames and very unfortunately positioned for any survivor. A pretty desperate situation. Yet you have this amazing alien planet vista. Guess our stranded folks don’t care too much about that.

Technically the base pic was done with Vue and reworked with Photoshop again. Textures, overpainting, color correction… pretty much the usual procedure for pics i’m doing this way.

Photoshop – Vue – 5000px wide

Print Detail

Wallpapers: 1920×1200 – 1680×1050

Regards

Undiscovered

This one is probably two years old. I did this one for a colleague of mine who worked on a scifi project at the time. They needed a vista for a specific scene and i tried myself on it. Unfortunately the project got canceled. I left this piece and took parts of it to create my ‘Red Dawn‘ project. I’m sure you recognize the mountains. However, i don’t want this scene to rot on my hard drive since there went a few hrs into it. It also doesn’t look too bad either. I like the desaturated bad weather look.

I also did a short animation test. It didn’t turn out too good but why not submit this one too. =) It’s always fun to see static pics in movement. Well… that’s at least my opinion.

Test Animation 720p (ca. 9mb)

Regards

Red Canyon

This year’s first art addition to the site is actually a pic i did late last year. To be accurate… it’s actually the result of a test i did early last year. There exists another canyon picture. It was a plain Vue just for fun project, playing with terrains, canyons, lighting and materials. Was thinking about if it’s worth to submit it at all. It’s surely a cool wallpaper for your desktop. That’s why i submitted it now anyway. It’s also a nice moody print with some very nice quality. I’m really not sure why i left it alone so long. =D

Technically it’s pretty much pure Vue. A few smaller changes in Photoshop. Refining textures and lighting issues. If there was a goal to achieve in this just for fun project, then it was that i wanted it to be a quiet and moody pic. A pure landscape. Not too much going on. Ultimately i think i got that down pretty good. So i’m happy with the results here. Clean, simplistic and nothing too complicated for the eye.

Wallpapers: 1920×1200 – 1680×1050

Regards

Valis Licentia

This picture is the perfect example of the famous ‘creative spark’. I never had the intention or plan to do a picture like this one. I never had a concept to this one in mind. I just sat down and worked it out. Everything fell to its place by accident when i was playing with the Vue 9 pre release version. Out of nowhere a creative flow started to happen.

It basically started with trying and playing with Vue again. Creating a nice mountain terrain and adding trees. Playing with atmosphere and lighting. This is actually how a lot of my personal projects come together and start out. Ultimately i had this nice mountain range, atmosphere and forest in front of me and thought… “yes… that’s it… go for it”. At this point no plans for a scifi setting. I also wanted a river in the scene. Some time went into the placing and adding and getting it right of the river part. Then the landscape part was done and i did a large multipass render of it. It took 18hrs to finish. That was early november i think. I really liked the result. The multipass also allowed me to extend the planning for the pic.

I thought around a while and found that some sort of scifi haven/port for ships would be a cool thing. So i added the towers. The original idea was to add one much closer to the camera on the left. But that did not work out well and completely ruined the composition for me. So i decided to move it farther back. That way the atosphere had much more space to unfold its nice detail and lighting. And the eye has a much more pleasant view on the overall scene. I decided to add more towers in the back to get some more depth into the scene. Not sure if that works 100%.

The Photoshop work, or ‘post work’, included refining of the atmosphere and bringing out details that i wanted to pop a bit more. Since a lot of elements, like the towers, were added in the process i had to do some extra integration work to make it all sit right in the image. I also added some atmospheric beams to bring out the atmosphere. I think that works nicely.

Not knowing what i was going to end up with was a nice thing. Even today i made last changes to the pic. Now every pic should have some sort of message huh? I guess what the pic is trying to say is that even highly developed races should be able to merge their structures into a foreign environment without disturbing it. Something ‘we’ are not able to do. The towers in the pic certainly have a very industrial look to them. Nonetheless they’re able to keep the environment untouched.

Photoshop – Vue – 5000px wide

Plates and Progress & Print Details

Regards

Hadley’s Hope

What if kinda sorta maybe Hadley’s Hope in ‘Aliens’ didn’t explode and developed its colony further? But yeah you could say I fell in love with the city I created in ‘Phoenix Rising‘. Since I have built me quite a nice plate in Vue, I had to take another visit. And it could become more in the future. I’m sure you don’t mind as long as some stunning vistas like this one are the result of these excursions. Again I’m wondering why I’m into such megacities. I’m very interested in technology, where it took us in the past and where it may take us in the future. Maybe that’s a reason.

When I started this one I didn’t have a real plan. I was just playing with atmospheres and clouds in Vue and found a nice point of view on the city part we see farther in the back of my ‘Phoenix Rising‘ picture. Started to add more details to that area and moved objects around to find a good composition. Lots of smaller testrenders happening in that stage. When I had arranged everything to a point of satisfaction I started play with the lighting. I really wanted to make it look somewhat photoreal without to lose the usual tension and contrast that I usually get into my pics. I eventually became undecided between a more natural lighted sunset with the light source behind the camera and a real devilish/hellish red backlit situation with the sun shining directly into the cam.

I stuck to the backlit setup because of the tension it created in the scene. Nonetheless I had a problem with visible detail. Since it all was pretty much in shadow. But I wanted lots of details visible! What I did was rendering both lighting situations i had in mind. The one with the sun behind the camera captured all the little details I wanted visible. I took that render pass and layered it above the backlit version and started work both together. That’s a technique I use whenever I want more detail in certain shadowy areas. Of course you can also use the multipass possibilities of Vue to fix those. It all depends on what you want to achieve.

In the end I managed to get a pretty decent result together that can walk hand in hand with my ‘Phoenix Rising’ project. It shows another side of that megacity. A bit darker and dense… almost like you could swim through the atmosphere. Another view I would die for to see for real.

Vue – Photoshop – Wacom – 4000px wide

Vue Approaches & Print Details

Two versions of wallpapers in the pack: 1920×1200/1080p – 1680×1050 – 1280×1024 – 1280×800/720p

Regards